Oh jeeze, try to follow this stupefying line...
At Free Comic Book Day, I picked up this for nostalgia reasons:
Oh jeeze, try to follow this stupefying line...
At Free Comic Book Day, I picked up this for nostalgia reasons:
Happy Birthday Homer!
I was Bart's age when the show first aired, and now I'm older than Homer is regularly shown to be, depending on the season, 36 or 38 years old.
And, I have a son a few months younger than Bart is. Hard to wrap my brain around that stat, by the by.
Crazy how time flies when...your favorite show is on television for...36+ years?
While visiting Solvang one of the past trips, likely the most recent Thanksgiving, Cass and Uncle Val were perusing the menu on their enormous television. Cass probably said, "Whoa! What's that?" and Uncle Val surely said, "Aw, Cass! That's Tom Cruise and he's awesome. This is a Mission Impossible movie!" and he hit play. I came in later and the 7th film in the series was playing, Dead Reckoning is its subtitle.
I caught most of it, and knew about some of the scenes (like the motorcycle off the cliff), and can say I enjoyed it, mostly. It doesn't really have a conclusion as much as it ends, and the credits roll, and we get ready for the second half, the 8th film in the franchise with the ominous subtitle The Final Reckoning.
I came across some think pieces about the badassery of Tom Cruise in the ridiculous stunts throughout both this franchise as well as other Cruise-related films, and felt compelled to go back and rewatch this series.
But "rewatch" isn't accurate, since I hadn't ever scene any of the Mission Impossible movies. I did watch the 1988 reboot series, with Stefano's son Tony DiMera in the rubber-mask-on-face role and Peter Graves as the boss-man, and enjoyed the espionage content as much as any ten-ish year old.
But by 1996, when Mission Impossible the First was released, I was deep into my classic-movie rabbit-hole and had a Tom Cruise-shaped middle-finger blotting out projects he starred in. Even Corrie saw it and, against type for her, remembered a fair amount of it.
It was after the think pieces about action set pieces that I perused the Web...could I find a box set of DVDs reasonably priced...where were they streaming...and then last month, Corrie and Cass announced: Mission Impossibles, 1 through 5, leaving Netflix on April 30th.
Since we only watch the television in earnest on weekends, after 3pm, let's say we had some intense Tom Cruise afternoon/evenings. Brian dePalma, John Woo, Joss Whedon...directors from all over the "action" world come in and do their thing. Jon Voit, Ving Rhames, Simon Pegg (playing the Ving Rhames role), Alec Baldwin(?), Jeremy Renner(??), even Angela Bassett and Henry Cavill and Philip Seymour Hoffman and Emilio Estevez?
The flow of women isn't quite James Bondian, but it's a thing, and you hope they develop someone beyond "hot for Ethan Hunt" or "someone for Ethan to be hot for." Is his wife (Michele Monaghan) someone who fits that bill? Nah...I guess the best foil would be Ilsa (Rebecca Ferguson). Maybe Agent Carter from the last two...?
Anyway, after four or five of these movies, while talking with Corrie, I realized that I didn't have a favorite. None of them were, for me, like, this is the one I'd watch again for pleasure, or, this is the one that hits all the right story beats.
That changed, though, for me. I do have a favorite now, and I'll give the reasons, similar to my bullet-point thesis about why Rogue One is the best Star Wars movie.
Mission Impossible: Fallout is the best Mission Impossible movie. It's number 6, so there's a ton of history built up, but watching them in order in close time to each other helped with the characters.
We've got March 14th (Pi Day), and now we claim May 4th as Star Wars Day, or at least we lean into it some more. At first I was confused. Why May 4th? Say it out loud, I was told: "May the 4th be with you."
Ohhhhkkkaaaayyy.
And now Disney+ is also leaning heavily into it, with their splash screen heavy duty with Star Wars stuff. Awesome...now we, the capital-N Nerds have at least two days.
There's also, going on year 20-ish, Free Comic Book Day, the first Saturday in May. At our local shop it was quite well-attended:
May 1st is the International Labor Day, and for the workers in the world, Huzzah!
And, for the day (kinda like on 420 this year) as an adjacent topic, let me share something I think gets lost in the American educational system, or, really, the teaching-history part of school, age 5 to 18 (besides the Parkers and the Harrisons): the founding of Haiti.
I remember lessons on the Mongols and the Mughals, but not the Franks nor the Saxons. We got some Mesopotamia history (good) but almost no Mesoamerica (lame).
Did you know that Haiti was the only country in the world that was founded by a rebellion of enslaved people? Enslaved Africans and natives from the island, called Haiti (or 'Ayti') in Taino, had a successful insurrection and threw out their French oppressors.
Is it shocking that we were never told about that in school? The enslaved rebelled, successfully, and founded a nation. Is it shocking that few countries came to its aid when the Spanish side organized and engaged them in war? Is it shocking that in the aftermath of the devastating earthquake, the international response seemed like a shoulder shrug and a juvenile, "Sucks for you, bro?"
I think we should find a way to celebrate Haiti and its founding as an important step in the Enlightenment era. It was the first country in the Western hemisphere to abolish slavery, obviously; but they're also the most likely to be declared a failed state...obviously, especially when no one wants to help.
Also, I want to learn more about Simon Bolivar and South American revolutions---which all happened after Haiti, by the by.
Anyway, maybe this is all stemming from witnessing the slow motion dissolving of the American democratic experiment, aided and abated by a pro-fascist group of terrified bigots. Maybe we all should fly the flag of Corsica, the large Mediterranean island that is currently a French holding, but remains a difficult place to colonize and/or subdue. The flag is called "the Moor's head," and represents marginalized people battling occupiers: