Here are some posts...
- Dispatch from Dinetah
- The Robots are Crossing Linden
- Singularities Up Close
- By Any Other Name
- GOOD BOOKS
- Sailing
- Cabin Trip 2025
- "This is America" Polemic
- Gardena Cinema For Mike: Part 2
- Irony on America's Family Tree
Last year was our first year, and we marveled at the scope.
This year we knew what to expect, and chose an early showtime to make life easier on our Saturday (parking; the melee; post-show lunching; the remainder of the day, which itself saw a birthday party to go to).
I found another track in American history that seems as unlikely as it seems a necessary part of our nation's identity.
It all started with a conversation with Corrie about an activist she'd heard about. His name was Walter Francis White. He was a Black American, but had very light skin, blond hair and blue eyes. He passed for a white man in most places, but was raised by his Black parents---his mother, though, was very fair skinned with light eyes. He used this ability while younger to do research on lynchings, as police and witnesses would never hesitate tho tell him the details.
Eventually he was found out, and after being run out of town with his life intact, he parlayed his leadership skills into helping run the NAACP and working with both FDR and Harry Truman.
Wow. We were passing by the Art Exchange, or whatever they call it today, a gallery across Elm from us, and a large painting inside caught my attention:
Last year was possibly the first part of a tradition? Possibly?
Anyway, we made the trip to Solvang to celebrate Thanksgiving once again with my Auntie Anne and Uncle Val. Once again I made turkey and broccoli and greens and buttermilk pie. Once again we watched football and movies at unseemly decibel levels, and once again Uncle Val showed Cass a few pointers and then let him run amok on a video game, this time the FPS Battlefield 6. Cass may prove to be a natural.
Corrie suggested that Cass and I do this thing together, and I thought it would be a fun time and was a great idea, so I got the tickets and we decided to have a date night, just Cass and me:
Last time it was for the Temple of Doom.
That was two years ago, back in November of '23. This year the invite was for an endurance double feature, our boy Mike, the erstwhile comic shop owner, current comic-book writer, comic book writing professor, and drug counselor, having the itch to return to his friend's family movie theater.
In 2023, it was Mike's favorite movie, Indian Jones and the Temple of Doom. Last year he had festivities at a different location. This year, the party was a few days after the proper birthday, and the first film of the double feature was "A Disturbance in the Force." This is a very entertaining documentary about the infamous "Star Wars: Holiday Special."
I learned so much. I picked up a bootleg of the Holiday Special at a comic convention back in 2012 as a gift for my brother. I watched as I drank gin, and, if you read the link above about that bootleg, you'll see all the cliches about trashing that program. Had I seen the documentary, I would have said different things.
Not to spoil ALL the conclusions from the documentary, but: back in 1977, when the movie became the biggest things EVER (it seemed), studios had very low opinions about audiences and, therefore, had the characters and costumes and masks in all sorts of shows that are, eh, regrettable by how serious the universe is taken today. Some were laughable (Donnie and Marie), some cringy (all of them, but Lawrence Welk!), and some made sense (Richard Pryor and the costumes of Mos Eisley).
Anyway, two groups---George Lucas and the filmmakers team vs the variety show team---began work on the project. Lucas was there for one day, for a total of 12 hours, and they were, by all accounts, very productive and inspiring. It didn;t take very long before all of the filmmaking side were gone, and the variety show people were the only ones left.
In the end, the length of the special went from an hour (so, about 46-47 minutes of content), to an hour and a half, to two hours. Yikes! Harvey Korman plays 3(!) separate characters! Bea Arthur sings a song! Art Carney saved the production when he was sober!
So, after this funny and engaging documentary, we sat and watched the Holiday Special, having the knowledge of what was happening and who was making the scenes and the feelings of most people who worked on it...and it wasn't terrible!
Okay...it's kinda terrible. But it isn't as incomprehensible as I remember. It follows a structure that makes a level of sense, and isn't so wrong as to wreck the sacred canon. It's not...good, but it's certainly not as bad as my post about the bootleg makes it sound. And seeing it on the big screen was a treat.
If you stroll around the big-box hardware stores---Home Droots; Lowe's, etc---or other big-box department stores, the Halloween decorations can get crazy...big animatronic displays, priced in the hundreds of dollars. These things are awesome, but they seem very baroque.
Sometimes the most charming decorations are some of the lowest tech versions...like the ballon tied to the drainage gutter in the neighborhood where we take the kids to trick-or-treat:
Is 918 really the edition we're on for this heading? Why not...
Friday night was a volleyball game at the Blue Pyramid:
I've been watching baseball for a long time. I've been a fan for possibly longer, and growing up in a Yankees household from my dad, and a Dodgers household from my mom, lead me to being overtly familiar with "Evil Empires(TM)" charges. But...
I've been blessed with watching Jeter kick ass forever in the highest leverage positions. Watching Big Mo kill it every single time except for one. Watching Matsui go-go-Godzilla it in 2009. I got the complicated extra-inning Grand Slam from Freddie last year, matching the excitement of Kirk Gibson back in '88. The Maier-assisted home-run...the Flip Play...Mr. November stuff---and that's all from Jeter.
But what are we seeing now?
I wrote last year about hyperbole and Shohei Ohtani, and somehow this past Friday he topped himself. He had...what, the BEST single game someone can have? Maybe it wasn't clinching the World Series, but holy hell!
First inning, as the starting pitcher, he was on the mound. He walked the first batter, then promptly struck out the side. Three strikeouts in a row. I captured a screenshot showing just how crazy his pitches can be. This was the called third strike for out number 2:
I've yet to go see "One Battle After Another" for a second time (but I'm trying to figure out how to take Corrie with me), but I've been ruminating on the car chases.
Before seeing the film I'd heard about the wild and original take on a car chase, similar to hearing about the journey through music that we take in Sinners before seeing it---when it happens, I remember thinking, 'Oh, here it is.'
But there are two visceral car chase sequences, one very early, and another much later, likely to become known as The Chase. The first one is less about being chased than it is about getting away, if that makes sense, but you feel it as you watch it. Later on, The Chase is on a whole different playing field, and has callbacks to Bullit.
But that whole enterprise got me thinking about some of movie's better car chase scenes. Obviously Bullit ranks as the originator of the vocabulary, or at least gets credit for it. How it gets filmed, though, is practical and original, and so exciting to see in context in a film that shows its era: it demands you pay attention. When the follower becomes the followed, and the driver snaps his seatbelt, you're tense with anticipation---you know it's going to get crazy.
When Gene Hackman as Popeye is chasing the J train's elevated tracks down Broadway in Brooklyn in The French Connection, you can feel the true danger, since they filmed it without permits. The exhilaration comes from that real peril.
I've see the opening chase scene in Baby Driver, and while I think the cinematic nature of the chase looks nice, I find the getaway highly annoying. He keeps running into cops! He never gets away until the maneuver with the two other red cars and the overpass. I heard about it and saw it very soon after the opening chase sequence in Drive, which I found far superior as a realistic approach to chase scenes goes. It's how it would play out in reality, or at least I could be convinced as much. It's not flashy, a full daylight bank robbery getaway like Baby Driver...Drive is the dive bar that pours its gut-rot scotch into the PBR can for the five-dollar boilermaker, while Baby Driver is an overpriced bar at a themed restaurant in Las Vegas.
Maybe my reaction to the realistic quality in Drive contrasts to the glee I get watching all the cop cars that get destroyed in Blues Brothers. Or how about the general entire movies that are essentially car chases, besides Blues Brothers: Smokey and the Bandit; Road Warrior and Fury Road; all the Cannonball Run movies...
But that brings me back to realism and originality, two things I found in Bullit, The French Connection, Drive, and this new classic, One Battle After Another. All four of these look nothing alike, and feel both realistic and original.
The news dropped about its eventual release on my birthday, and today was the release:
Seriously...the kid's name is Cam Schlittler. It was fun saying, or trying to say...
On the evening when Corrie headed out to Texas to supervise the construction site there for the next week, I had the Yankees-Red Sox game 3 of their wild card round playing on my laptop.
And some rookie, some flame-throwing kid with an awesome name who grew up a half-hour from Boston, came in and dominated for 8 dazzling innings. His motion was fluid and kept his grip hidden all night. When Boone, the Yankees manager, sent him back out for the 8th inning, I thought back to game 1, when he took Max Fried out when it seemed like it was too early...when Boston folks are happy the pitcher's coming out? And he hasn't thrown that many pitches?
Anyway, Schlittler set a record: 8 innings of no runs and 12 strikeouts with 0 walks...that kind of tells it all. It doesn't come close to the visceral feeling of watching batter after batter flailing away at pitches in the zone, out of the zone (although there were very few of those) and walking back to the bench, befuddled. When I saw a sinker zooming and dropping in the strike zone at 98 mph I thought: tough night for the opposition bats. Fantastic that it's my team making those pitches.
Ever since we moved away from Brooklyn back in 2009 (WAIT---WE LEFT SLO 19 YEARS AGO?), my connection to baseball, and sports at large, has been more tenuous and less, eh, visceral. I've written about many different sports things for this blog, but that's because of the amount of my brain I have dedicated to sports topics rather than the emotional attention I devote to sports...I've not devoted that kind of emotional attention since...2009? When the Yanks won that World Series and we left for Texas the next month?
Watching Eli win a second Super Bowl was definitely cool, even if we watched it Honduras, and of course I was interested in my Yankees last year in the World Series (lol that post was written before Freddie's walk off grand slam), but without reading the newspaper everyday while riding the train, or just drinking a cup of coffee on the stoop, has altered my sporting-emotional-levels, needs, and desires. It's surprisingly easy to care less. Like taking Facebook off your phone.
But still! Have your young kids try to say Schlittler's name! He's freaking awesome! For a storybook night, it was a transportation. And it was great.
Shadow Ticket, Thomas Pynchon's newest book, is due for release in less than a month. Like Bleeding Edge before it, I'll be heading across town on the release date to get a copy in my hands.
I was planning on starting a rereading of Vineland on the eve of the release of "One Battle After Another," the PTA movie based loosely on said book.
I'm planning on seeing it either by my onesie or with Corrie, who read most of, if not all, of Vineland back in 2012-ish.
I'm getting a presentation ready to send off for submittal for the International Pynchon Week 2026, which will be held in Dortmund:
I guess calling today "Pythagoras Day" is as good as anything, since it's a mathematically beautiful day. The date, either in the US (9/16/25) or everywhere else in the world (16/9/25), has the common rendition of the year as the sum of the day and the month: 9+16=25.
I mention Pythagoras because he was a Greek intellectual and school-founder who's name has been attached to an ancient theorem about the sums of the squares of the two smaller sides of a right triangle being the same as the square of the longest side. Remember: a2 + b2 = c2 ?
So, eh, today is like, 32/ 42/ 52, which us math heads find enjoyable.Um...at the Aquarium of the Pacific...
My boy looks like such a little, er, man. When did this happen?
I started this a few days back, and in my rare spare moments returned to the open laptop tab to keep my thoughts going (not unlike my mother's letters, I suppose). I didn't particularly like this movie, but I also don't have the hate-on for this movie. And, I didn't mean for this to turn into a treatise...but here we are.
I finally sat and watched Disney's most recent original story Wish from start to finish. And, since the kids put on Moana 2 while I did kitchen work, we finally caught up to the current time with the Disney animated feature cannon.
It seems to be popular to rip Wish online, and probably in person, too, but I don't spend time talking about these Disney movies to people unrelated to me. Some people like the songs; some people hate the songs...
Wish was written by the Boss-lady of Animation as a celebration of the Disney cannon, and as possibly a wish-upon-a-star origin story...and if that sounds preposterous, it's because it kinda is.
When I first saw the trailer, I thought the animation of the Alan Tudyk-voiced baby goat (snort)(that's a plus for me) looking 2D while everything else looked 3D...or a mix...?...anyway, I thought it was interesting. I wasn't immediately turned off. If they're trying to celebrate the centennial legacy, a mix of 2D and 3D animation wasn't a terrible idea.
Okay...Rosas is the name of the Mediterranean island kingdom in the movie, and Asha, the heroine, is of Afro-Iberian heritage, marking a first for the studio. She has fair skin, freckles, hazel eyes, and long braids. She's 17 years old and has an interview set up to apprentice with the magical king, Magnifico. This king is voiced by Chris Pine because they needed someone charming and personable, because he's certainly a little off, but it needs to be believable that he could be put in power.
So...so far so good?
Now it starts to go sideways. The magical conceit/magical currency are wishes, core pieces/spiritual fire/manifestations of dreams/whatever you want to call it---your spark, your inner fire, your wish---and once you turn 18 you can hand it over to Magnifico for safe keeping. He'll pull it out of you, where it gets encased in glass, and floats up to join the other wishes he cares for and watches over in the upper levels of the castle. In exchange for handing over your wish, you get to forget what it was, and forget the possible disappointment of never achieving it. Every once in a while, he'll grant a wish, give someone the chance to have their wish granted, and this wish-granting ceremony is what keeps the people excited about this arrangement...I guess...
While handing over your wish doesn't seem mandatory, it seems like everyone in Rosas, once of age, does it.
And because Magnifico is...not infallible, he decides which wishes are best for Rosas, and the granting of which wishes becomes an issue, because some wishes are deemed too dangerous for Rosas as a whole. Instead of "redistribution of wishes," think more "wants to play guitar for friends." This is where Magnifico's slip shows. The issue is both deep and creepy.
It's this central conflict that I think people complain about when they set up shop of "Eff-Wish Island." It's...weird.
Something else to mention is that the stakes are, frankly, very low. Asha wants to save her grandpa's wish, and her mom's wish. She's not trying to save the world, or stop an evil king---even if it goes in that direction eventually---her motivation is to make her mom and grandpa happier, since giving up your wish has the unintended consequence of you feeling a bit lost.
There are no love interests for Asha---cool, no problems there, since we have Elsa and Vanellope and Moana and Maribel in the same boat---but her friend list is long, as we essentially don't get to know them. There are seven of them---shout out to Snow White---and while there's potential there, the execution of getting to know them falls short.
One spot the online community was divided on was the music. Some people love the main song and sang it to their newborns (per their own reportage). Some people think the songs are garbage because they're too vague because they were written before the script was done. I thought (1) there were too many songs, but I generally don't like musicals so there's a bias (it did feel like there were a lot); and (2) I couldn't make out the words, so I couldn't tell how generic they were, but I generally struggle with making out the words as it is anyway, so, whatever.
I guess that animation deal---the mix of 2D and 3D animation styles---was not a conscious decision as much as a fight between timing and cost and animation department personnel, which sounds like a "production from hell" issue.
One idea I also wanted to state, and that I told Corrie about when we talked about it, was that in my time working with teenagers, the teenagers by and large would have very little grasp on a dream or a wish or an inner fire that stokes your spirit, a wish to be able to give up for safe keeping once the age of 18 is reached. I think that the belief of the movie, or its writers---that the connection of your dreams/wishes to your drive to be successful---is lost on the core audience.
The teens I know would not be able to identify with this idea, and won't be able to for a few more years at least. A certain level of maturity is needed to to feel deeply the connection between what drives you and how meaningful it is. Who are you? What do you want to do in this world? How can you get there? How can you motivate yourself to keep the sustained effort needed for that? These teenagers would struggle with every aspect of each of those questions.
In the end, Magnifico realizes what kind of power he can harness if he steals and absorbs the wishes, and the third act conflict is set up.
I never got the sense that it wouldn't work out for Asha; I never felt like the stakes were very dire; I thought the whole premise was supremely weird, and I haven't even mentioned the tiny star character that Asha made appear when she literally wished upon a star; I felt the friends were underdeveloped; and while I harbor no opinion of the quality of the songs, I felt like there were too many.
But, really, I felt like the exact same sentence could be written for Moana 2 (save for the star character). And while I do have some critical issues, I still don't hate the movie. I can see how it may have failed to find an audience, or failed to speak to the audience it was designed to cater to. That happens often in the collaborative arts industry.
One thing I just thought of is it seems like the producers made a movie for the kids that they were 30 years back instead of the kids we have today. Thanks social media!
It is pretty to look at, which is often the case with these movies. Is it worth hating?
Seriously? Masked gestapo gangsters are scooping up brown people off the street and sending them away---for misdemeanors!---and a silly imperfect movie with issues gets you all angry?
I was invited (for the dozenth year) and attended for the second time, the Wilmington Labor Day Parade. Wilmington is a community near u sin the southland that was absorbed into LA proper and is built, by and large, by the longshoremen.
They're told that attendance in the parade is mandatory. How true that is...eh, anyway, when you unload a quarter-of-a-trillion dollars worth of goods every year, you get some power. And the pride in being part of the organized, unionized worker group, shines through in their days, as in: it's believable that participation in the parade could be mandatory.
Anyway, the first time I went I took Cassius. It was a good time. This time I brought both kids:
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| Prez Cecily was there, too... |
I've mentioned before about how many magazines we get (a lot), and the other day one showed up and my eyebrows raised when I saw the cover:
Now that I got that off my chest...
As we finish up the Disney movies, I'm struck by my Disney+ having most of the special features I would have watched on a DVD. They were cool, and I learned about the stuff that fascinates me. Collaborative art is very different than, say, painting or writing a novel or a poem.
Ever since 2010's Tangled, Disney was back. Toy Story 3 was a masterpiece, and Pixar has been hammering out doubles for a while.
But here are the Mouse releases since:
Taking a break from the freak-out about...I dunno, the gestapo roaming around snatching people up, masked and armed...at least they were ran out of parts of here around the Southland, but they've been showing up to immigration courts where judges are supposed to be hearing their asylum cases? This is America?
Yes. This is America, or some nightmare that only the most cynical of us could have imagined. This is the end result of the world Reagan augured and Dubya anchored and now, after years of defunding education and eliminating civics courses and putting up cartoon characters as candidates, we got the worst version of Elmer Fudd---if he were a wife-raping white-supremacist---while one of our political parties has become the shining beacon for bigotry and anger and hate and fear. The other party is barely better, as they take money from the same donors and have been selling us out for the last few decades, too.
Get the pitchforks and Molotov cocktails ready...I wanted to come here and say something about conclusions as we finish up the Disney canon...but...
Every apologist has to be gone, ferreted out. Allies, it goes without saying, have to be gone. Profiteers, too. FUCK ALL OF THEM.
The work will be difficult but necessary. Is it too late? We all hope not...
AI wants to put 11 (eleven?) links into this tiny polemic...links without my doing, like it wants to, what, make "Reagan" a clickable link? I'll do this myself, thank you very much.
Will the robots make ferreting out the capital-B, capital-G BAD GUYS from our government easier?
TOGBIADB!
I'm not always sure where names for rock bands come from. The Doobie Brothers seems obvious enough, and I do know about Steely Dan, but today, at the Farm, I took a picture of the old truck you pass by on the way to the parking area and, well, click to enlarge so you can see for yourself:
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| The Gouge |
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| Camille chose the big bed in the room |
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| Cass chose the Boss Bed by the stairs |
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| I generally liked the alcove bed... |
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| The video is more telling... |
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| Fumarole |
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| See? He enjoyed some stuff... |